CHORD QUALITIES
MAJOR
Root position and general
Haydn: Symphony No. 94 "Surprise": II
J. Strauss: The Blue Danube Waltz
Berlioz: Damnation of Faust
Mozart: Piano Concerto No. 21: II
Berlioz: Torreador from
Carmen
Mendelssohn: Wedding March from
Midsummer Night's Dream
Bocherini: Minuet
Mascagni: Intermezzo from
Cavalleria Rusticana
Bach: Jesu, Joy of Man's Desire
Debussy: Prelude to the Afternoon of a Faun
Copland: Fanfare for the Common Man
First inversion
Brahms: Lulluby
Vivaldi: Spring, II from
The Four Seasons
Second inversion
Taps (Bugle call)
Handel: Hornpipe from Water Music
Bizet: "Habanera from
Carmen
MINOR
Beethoven: "Moonlight" Sonata
Handel: Adagio from
Water Music
Vivaldi: Spring: II from
The Four Seasons
Beethoven: Fur Elise
Brahms: Hungarian Dance No. 5
Prokofiev: Romeo and Juliet: Montagues and Capulets
DIMINISHED
Beethoven: Piano Concerto No. 3: I
as arpeggiated in oboe
Schubert: Ave Maria
as arpeggiated in tenors
Mozart: Eine Kleine Nacht Musik: I
as arpeggiated in Violin I
AUGMENTED
DeBenedetti: Tango Argentina
DOMINANT SEVENTH
Mozart: Piano Concerto No.21: II
F: V7
Mozart: Eine Kleine Nachtmusik
G: V7
Beethoven: Symphony No. 7: I
A: V7
Bach: Jesu, Joy of Man's Desire
G: V7
Haydn: Symphony No. 94 "Surprise": II
C: V7
Bocherini: Minuet
A: V7
Beethoven: "Moonlight" Sonata
C#m: V6/5
Beethoven: Sonata Op.13, "Pathetique"
Gm: V6/5
MAJOR SEVENTH
Rachmaninoff: Symphony No. 2: III
A: I7
J. Strauss: Vienna Woods
F M7, First Inversion
MINOR SEVENTH
Beethoven: "Moonlight" Sonata
C# min: i4/2
Rachmaninoff: Symphony No. 2: III
very last arpeggiation: F#m7 as A: vi7
DIMINISHED SEVENTH
Attributed to Bach: Toccata in D Minor
Dm: viio7
Beethoven: Piano Sonata No. 8, op. 13, "Pathétique"
End of excerpt; Third inversion
HALF DIMINISHED SEVENTH
J. Strauss: The Blue Danube Waltz
D: vii half dim7
Rachmaninoff: Symphony No. 2: III
second arpeggiation is A: vii half dim7
Debusssy: Prelude to the Afternoon of a Faun
A# root
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